In some alternate world, Clive Cussler and James Cameron have teamed up. In that world there is not only a long running series of best-selling Dirk Pitt adventure novels, there is also a successful Dirk Pitt action-adventure film franchise. One that rivals the James Bond franchise in both popularity and box office longevity. Even the characters in the Dirk Pitt series spin-offs, Kurt Austin (The NUMA Files) and Juan Cabrillo (The Oregon Files), respectively, have become popular enough to star in their own long running action-adventure television series. Then there are all the Dirk Pitt comic books and video games, and all the NUMA toys.
But the best thing in this alternate world are the numerous documentaries that Cussler and Cameron have made. These documentaries (some made-for-television, some filmed in IMAX 3D) not only detail Cussler and Cameron's obsessive search for shipwrecks, but they also serve as maritime history lessons.
Yes, that's a fun dream. But it is only a dream. The reality is that neither man's creative ego lends itself to working well with others. Both want to make and play in a sandbox of their very own and, while they are both okay with sharing, they still want to exclusively OWN the sandbox and all of the toys in it. Cameron more so than Cussler, I think. Which is most unfortunate, because I think these guys were made for each other.
That was the thought that most frequently came to my mind while I read Clive Cussler and Craig Dirgo's book, The Sea Hunters. I doubt such a bizarre flight of fancy was ever Cussler and Dirgo's intention, though. But there was precious little else for me to think about as the uneven and unfocused book moved from shipwreck search to shipwreck search.
What made the book feel so uneven and unfocused were the mismatches in storytelling style. The book is broken into sections that detail a particular search for a particular ship, or cluster of ships. Each of these sections begins with a dramatization of the sought after ship's history and its sinking (though, in one instance, there is a search for a missing train wreck*) that is then followed by Cussler's memoir of the search.
Some dramatizations are much better than others, as is the case with any anthology of yarns. The two that have lodged the deepest in my memory are the reenactments of the sinking of the steamboat Lexington and the troop transport Leopoldville. (Both reminded me of what it was like to read Walter Lord's seminal dramatization of the sinking of the Titanic, A Night to Remember.)
As with the dramatizations, some of Cussler's memoirs are more entertaining and interesting than others. The best of them detail the various hardships, oddballs, and insults Cussler and his NUMA team (Cussler makes an emphatic point that the naming of his hobby organization after the fictional government agency in his Dirk Pitt novels was not his idea) suffered while trying to find a particular shipwreck. While I admire Cussler's passion and determination to find, survey, and document famous, or infamous, or simply forgotten locations of maritime history, I had trouble juggling occasional moments of self-aggrandizing with his protestations that it was all about finding and documenting history, and not about him.
Perhaps it is because, despite all of his protestations to the contrary, Cussler doesn't really treat his hobby as anything but a hobby. He also doesn't share his research habits, or what made him decide to search for a particular shipwreck. Nor does he give much thought, or share any feelings, about his discoveries. Also not helping is Cussler's contemptuous dismissal of the scientific method and peer testable results. That, coupled with the lack of background detail of his own research methods, casts a somewhat discomforting shadow over all of his searches and antics. Then again, I should point out that I purchased and read this book to read about Clive Cussler and his search for shipwrecks, rather than to learn about the details of the various shipwrecks themselves. So why I end of complaining that there was a bit too much of the former and not enough of the latter is a mystery to me.
*The very same train wreck that inspired Cussler's fifth Dirk Pitt novel, Night Probe!.
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