"So, that's what it does..."
Loki (Tom Hiddleston) launches an attack on Earth. One so powerful that Nick Fury (Samuel L. Jackson) is forced to go rogue and assemble the Avengers Team in order to stop it.
Yes, my synopsis of Marvel's The Avengers story makes the movie sound kind of light on plot, and, to be blunt, it kind of is. But that lightness is also what makes The Avengers fly, and what allows it to deliver enough fun and excitement for ten movies.
From start to finish The Avengers is a gleefully over-the-top, yet never out of control, comic book movie. What makes the movie work so beautifully well are two things. The first is the five movie build-up to it. Iron Man 1 & 2, The Incredible Hulk, Thor, and Captain America: The First Avenger each introduced the primary team members in solo adventures. Because of that, most, if not all, of the sizable audiences that broke box office records on The Avengers opening weekend, were already familiar with the characters and their backgrounds, so writer/director Joss Whedon - a beloved figure in both comic book and science-fiction fandom, but a virtual unknown to mainstream audiences until Friday, May 4th - had no need to burden his script with needless character introductions or any exposition beyond, "Hey, there is a BIG THREAT we cannot fight. It's time to assemble The Avengers!" All Whedon really had to do was get them together and make all of the various fights fun and interesting, which he did.
And which also makes for a nice segue into the second thing that makes The Avengers work so wonderfully, wonderfully well: writer/director Joss Whedon. Of all the choices that Marvel Studios could have made to write and/or direct The Avengers, Joss Whedon was the best, most inspired, and most appropriate of them all, for two reasons.
Reason #1: Whedon not only created and ran numerous popular and/or cult classic genre television series (Buffy the Vampire Slayer, Angel, Firefly, and Dollhouse) but it was through them that he revealed his gift for ensemble storytelling and it was on them that he honed that gift to razor sharpness. That ensemble storytelling gift allows each member of The Avengers team a moment to shine, a moment to grow, and, once the team building conflict wrinkles have been (spectacularly) ironed out, for The Avengers to work as a well oiled fighting machine, instead of looking like a crowd of attention hungry actors fighting each other for the biggest amount of screen time and the best dialogue lines. Whedon makes sure that there is more than enough for everyone. Although I do think that Hulk's moments got the biggest reactions from the audience. Which is as it should be, because HULK THE BEST THERE IS!!!
Reason #2: Whedon has written for Marvel Comics, so he knows these characters far better than the average work-for-hire screenwriter might. Thus, once the exposition and team gathering has been completed and The Avengers are all aboard the S.H.I.E.L.D. hellicarrier, the audience gets an accurate depiction of what reading an actual comic book story arc is like. Whedon captures the visual style, the witty dialogue, and the snack, crackle, pop of a relentless action oriented story perfectly.
Marvel's The Avengers is as smooth and endearing a chunk of bombastic entertainment as I hoped it would be. In fact, it actually exceeded my hopes. Whedon and company have created a comic book movie high water mark upon which all others will be judged, and just might be found wanting.
Four stars. This just might be the most entertaining film of the entire year.
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